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Acclaimed art director Roger Black has shaped the visual culture of publishing for over forty years. He has done this in large part by having an uncanny eye for typographic voids and commissioning custom type to fill them—perfectly. Here’s the cream of the crop.
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Custer expands to suit every size.
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Escrow sets the tone of the front page of The Wall Street Journal, envy of the newspaper industry. Design Director Joe Dizney: “Escrow is the spectacular element holding the whole thing together.” Cyrus Highsmith designed 44 styles in this Scotch series.
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We’re excited to present the second installment of our publications related to Variable Fonts.
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Inspired by Art Deco lettering, David Berlow’s latest creation pushes the boundaries of the OpenType Font Variations format. Decovar has tons of skeletons and terminals, all ready for intrepid type lovers to explore.
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At the behest of Google, David Berlow and Font Bureau are developing Amstelvar, a sloped serif variations font that offers a taste of what’s possible with this exciting new OpenType format.
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A welcome addition to the Fleischman-inspired design by Christian Schwartz, Farnham Headline moves the magazine-friendly family in a subtly more serious direction. Weighty enough for front-page news, Farnham‘s headline cut still sparkles, bringing energetic elegance to page or screen.
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With added refinement and scope,